Tuesday, March 20, 2012

Interview: RIVA STARR


(via rivastarr.com) "Just when you think you know Riva Starr... He’ll probably confuse you with yet another side to his musical personality. Don’t call him fickle, though. Try bored. Try excitable. Try unpredictable... And then some!

As Philippe Stark once famously said “I do not try to please everybody, I make what I can, how I can, when I can. […] I try to deserve to exist by doing my job well. I have this sickness called creativity and I exploit this sickness to offer new meaning in things to my friends. That’s it, very simple

Riva humbly subscribes….

Driven from his Italian motherland by a compelling desire to reinvent, innovate (?) and progress (!), Riva has made London his home since 2008: A breath of freedom and fresh beats that allowed to him to wear his inspirations proudly beyond the sleeve and deep, deep, deep into the groove.

A Neapolitan cultural exile with a degree in Chinese literature; a passionate family guy who still manages to juggle a DJ schedule of over 200 international gigs a year, a label and production duties. How can you pigeonhole a man who never sits still?

From the dolce vita to Dalston, the Big Smoke’s open eared community and exciting cauldron of influences finally allowed him to truly make the records he wanted to make. In the past he’d produced house, techno, breakbeat, electro, pop, folk and everything in between. Here was the city where he could bring them together.

As the very name of his own label Snatch! suggests, Riva’s unpredictable “Magic Hat” selection keeps both him and us listeners on our toes. It’s kept him relevant, but more importantly, it’s kept him alive and kicking…

To Riva, though, he’s just doing his job, hoping to pick up new friends along the way.

It’s been like this from the very first releases. Having taken his previous guises as far as he could, his infamous debuts on Made To Play and DirtyBird were the result of anonymous MySpace demo entries. Refusing to rely on any kudos he’d developed before, Riva took a brave dive into a whole new world of beats and let the music speak for itself.

Since then he’s strutted with acts as varied as Noze and Balkan Beat Box, remixed Dennis Ferrer, Usher, Gossip and Estelle (to name a few) while future fix-ups include Fatboy Slim and Beardyman.

Never forgetting his roots, Riva records range with the wily eclecticism of all the ages; he strikes chords we can all relate to: from the DJs that have appreciated his work (from Tiesto to A-Trak, Jesse Rose to Annie Mac and Giles Peterson to David Rodigan) to you, me and everyone in between.

Throughout this mayhem, he’s been hard at work on the DJ circuit – with over 190 gigs in 2010 alone – strutting his stuff in some of the coolest venues on the planet such as Panorama Bar, Space, Womb and Fabric as well as some of the biggest festivals in the world from Fuji Rock to Global Gathering to Exit and beyond.

"His latest project, the first Snatch! WMC Compilation album, Batería Fantástica is a unique collection of exclusive & original South-American/Latin flavoured cuts hawking back to the original inspiration behind the Miami based conference... all made especially for this album by some of the coolest producers on the planet."(Resident Advisor)"




Tracklist:
01) Riva Starr & DJ Sneak – Manduka (Riva Starr Cut)
02) Carl Cox & Jon Rundell – Caipiroska (Original Mix)
03) 2000 And One & DJ Madskillz – Los Olvidados (Original Mix)
04) Gonzalez & Gonzalo – La Fiesta (Original Mix)
05) &ME – Dios (Original Mix)

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Interview: (by Alexander Leblanc, for dukeofswabia.com)

First of all, where does the name Riva Starr come from?

Friday, March 2, 2012

DUKEOFSWABIA.COM Podcast #003 - VOSPER (+ Interview)


DUKEOFSWABIA.COM Podcast #003 - VOSPER



*see tracklist below

(via vosper.ca) "With roots firmly in the fertile ground of Dark Wave, EBM and Techno music, Vosper bring the listener to heady vistas of sound and tone. Where other groups wallow in the dank claustrophobia of retro-fetishism, Vosper's relentless enthusiasm for developing a singular musical voice, nourished on a shared past, guarantees the listener glimpses of, and participation in, the formation of a new sonic sensibility.

Formed by Montreal-based Edouard Le and Christopher Byron, the duo utilizes their own rich backgrounds to craft melancholic compositions in an analog mode for a digital age. Though both Le and Byron had previously collaborated, it wasn't until the formation of Vosper that the intangible qualities of their own musical ethos truly coalesced into an unique sonic world, coloured by visions of haunting pasts and future frontiers.

Through his involvement in various music projects, as well as djing in many cities alongside Andrew Weatherall, Green Velvet, Moby, Trentemoller, Dj Hell to name a few, and production and remix releases in multiple electronic music genres, Le has developed a deep understanding in production and remixing with a natural affinity for the dance floor.

In Christopher Byron, Le found a kindred spirit… Weaned on the sounds of new wave, alternative and industrial music, and particularly influenced by the genius of Alan Wilder, Byron's sound design skills and song-writing produce the melancholic strain that runs so deeply through Vosper.

Fuelled by an obsession for collecting vintage gear, the band's signature sound has been crafted using a select ensemble of hardware. Influenced by the music of early Human League, James Stinson, Nitzer Ebb and LFO, Le & Byron have fashioned an abrasively modern dynamic from the modes and mores of the past. Vosper is about the marriage of propulsive Teutonic beats to the melodic impulse of the Sheffieldian sound: muscular industrial-strength rhythm finding its highest expression in its companionship to the pensive and wistful despondency of memory.

Their debut release EP on highly regarded Parisian label Meant Records marks a great head start for this up and coming band."

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Interview: (by Alexander Leblanc, for dukeofswabia.com)

How did you two meet? How/Where did it all start?

Ed: "We actually met at work and happen to share the same office. With the similar interests in music and music technology, we decided to write some tracks and the studio chemistry just clicked."

Please explain the name 'Vosper' and how you came up with it.

Chris: "Vosper was the name of a ship builder in England, My Great Grandfather worked there."

Who were your early musical influences?

Chris: "I guess I would say that the bands which inspired me to start composing melodic songs were Skinny Puppy, Depeche Mode, NIN, and Front242."

Ed: "For me, the bands that lead me to Vosper was probably Human League, Dopplereffekt, Green Velvet, Anthony Rother, and Swayzak."

What is your academic background?

Chris: "Bachelor degree in Communications Studies with Specialization in sound."

Ed: "Bachelor degree in "Graphic Design."

It may be difficult to merge two minds into one. As a duo, how would you describe your "production process"?